Erik Satie (1866-1925) was a French composer and pianist who is widely regarded as one of the pioneers of modern music. His piano works are characterized by simplicity, elegance, humor, and originality. He composed many pieces that challenged the conventional forms and styles of his time, such as the GymnopÃdies, the Gnossiennes, and the Sonatine bureaucratique.
One of the best ways to appreciate Satie's piano music is to listen to his early works, which he composed between 1887 and 1892. These works show his development as a composer and his experimentation with different modes, rhythms, and harmonies. Some of these works are rarely performed or recorded, such as the PrÃludes flasques (pour un chien), the VÃritables prÃludes flasques (pour un chien), and the PiÃces froides.
If you are looking for a comprehensive collection of Satie's early piano works, you can download a rar file that contains 102 MB of mp3 files[^1^]. This file includes 36 tracks performed by various pianists, such as Reinbert de Leeuw, Aldo Ciccolini, Pascal RogÃ, and Jean-Yves Thibaudet. You can enjoy Satie's music in high quality and discover some of his lesser-known gems.
Erik Satie was a visionary composer who influenced many generations of musicians. His early piano works are a testament to his creativity and originality. Download the rar file today and immerse yourself in Satie's musical world.
Erik Satie was born in Honfleur, Normandy, on 17 May 1866. His father was a French ship broker and his mother was a British pianist. He had a younger brother and sister, Conrad and Louise. Satie showed an early interest in music and began taking piano lessons from a local organist at the age of seven. He also attended a local school where he learned to read and write.[^1^] [^3^]
When Satie was 12, his mother died of tuberculosis and his father moved to Paris with his children. There, Satie enrolled at the Paris Conservatoire, but he was a poor student who did not fit in with the academic environment. He was often criticized by his teachers for his unconventional and eccentric style of playing and composing. He dropped out of the Conservatoire after two and a half years without obtaining any diploma.[^1^] [^2^]
Satie then worked as a pianist in various cafÃs and cabarets in Montmartre, where he became acquainted with many artists and writers of the bohemian scene. He also joined a mystical sect called the Rosicrucians and composed several works for their ceremonies, such as the Messe des pauvres (Mass of the Poor). In 1893, he had a brief but intense affair with the painter Suzanne Valadon, who was the first woman to paint his portrait. After their breakup, Satie became more isolated and withdrawn.[^1^] [^2^]
Style and Influence
Satie's music is characterized by simplicity, elegance, humor, and originality. He composed many pieces that challenged the conventional forms and styles of his time, such as the GymnopÃdies, the Gnossiennes, and the Sonatine bureaucratique. He also wrote music for a Rosicrucian sect to which he was briefly attached. After a spell in which he composed little, Satie entered Paris's second music academy, the Schola Cantorum, as a mature student. His studies there were more successful than those at the Conservatoire. From about 1910 he became the focus of successive groups of young composers attracted by his unconventionality and originality. Among them were the group known as Les Six. A meeting with Jean Cocteau in 1915 led to the creation of the ballet Parade (1917) for Serge Diaghilev, with music by Satie, sets and costumes by Pablo Picasso, and choreography by LÃonide Massine.[^1^] [^2^]
Satie's music represents the first definite break with 19th-century French Romanticism; it also stands in opposition to the works of composer Claude Debussy. Closely allied to the Dada and Surrealist movements in art, it refuses to become involved with grandiose sentiment or transcendent significance, disregards traditional forms and tonal structures, and characteristically takes the form of parody, with flippant titles, such as Trois morceaux en forme de poire (1903; Three Pieces in the Shape of a Pear) and Embryons DessÃchÃs (1913; Desiccated Embryos ), and directions to the player such as âwith much illnessâ or âlight as an egg,â meant to mock works such as Debussyâs preludes. Satieâs flippancy and eccentricity, an intimate part of his musical aesthetic, epitomized the avant-garde ideal of a fusion of art and life into an often startling but unified personality. He sought to strip pretentiousness and sentimentality from music and thereby reveal an austere essence. This desire is reflected in piano pieces such as Trois Gnossiennes (1890), notated without bar lines or key signatures.[^1^] [^2^]
Satie's music influenced many generations of musicians. Among those influenced by him during his lifetime were Maurice Ravel and Francis Poulenc, and he is seen as an influence on more recent composers such as John Cage and John Adams. His harmony is often characterised by unresolved chords, he sometimes dispensed with bar-lines, as in his Gnossiennes, and his melodies are generally simple and often reflect his love ec8f644aee